Warren, the domineering husband, represented capitalism, Mary, the cowed wife, is a foil to re husband, and Sills represents the lot of the millions of the workers who are the victims of the modern capitalistic society . There are millions of workers, such as Sills, around the world who toll and toll , but remain unrewarded die of an unlamented death. 2 In this poem, Sills was the central figure, due to the poem recording his death. Sisal’s character is that of pathetic and sympathetically arousing, who in his old age, Is a helpless and useless soul.
He is alienated from the world, with no shelter over his head or home to go to. His very poor self respect makes him feel ashamed to his brother and as a result he Is also isolated from his rich banker brother. During the busy days, Sills was accused by Warren of abandoning the farm. This confused Warren, and he often wondered why Sills would leave. It turned out that Sills was leaving for higher wages. This would indicate that he was paid very poorly for his labor. So, Warren does not find any fault in his own capitalistic manner by which he tried to buy the labor of Sills In return of the little wages.
In this way he presents the capitalist society of the modern world. The poem Home Burial Is also based on a modernist theme that Is known as self; centeredness. In this poem, the over-wrought wife is merely a foil to her practical husband. Each of their views on life Is very diametrically opposite. The wife. Who Is under the burden of the grief over the death of her first born, cannot forget the fact that her husband was the one who dug the grave of their child. And also burled him 1 OFF son.
This shows that he has accepted the fact that his son has passed due to an accident and whose grief can be submerged beneath the daily existence of life. The husband makes some arguments in order to prove to his wife that the death of their son was accidental. He says that “from the time one is sick to death, one is alone and he dies 3 more alone, and that friends make pretence of following to the grave, but before one is in it, their mind is turned. ” This is viewed as the husband speaking out in a selfish nature. All human sympathy is gone and it has been, therefore, replaced by mere selfishness.
In this way the poem is a modern domestic epic, which exposes some modern crises to our eyes. The next poem that proved that Frost was a modernist poet was Mending Wall. This poem was based on the modern theme of isolation. The modern men established boundaries and isolated themselves from each other. Frost’s metaphysical treatment of this physical and psychological isolation is also evidence of his modernity. In this poem, he Juxtaposes the two opposite aspects of the theme of the poem and leaves it to us, the reader, to draw our own conclusion.
The truth of Frost’s poems are that they are set in the presence of pastures and plains, mountains and rivers, woods and gardens, groves and bowers, fruits and flowers, and seeds and birds. However, this approach to nature and this natural phenomenon are different from the romantic poets and are set in a more realistic and modern in nature. Unlike the Romantics, Frost took notice of both the bright and dark aspects of nature. The example that points this out is “Two Tramps in Mud Time. ” It tells that, below the beautiful calm, there is a lurking turmoil and storm.